to slip through the fingers of whoever
intends to capture it.
Always in the making,
constantly being re-defined, or
transforming its
photography is multiple
in its
For this
which wouldn't be a thesis about
its being, but rather the thought of its
multiple
Due to its constitutive relationship with the
temporal
we intuit a different type of
perception and
to a new formulation and experience of
A paradigmatic apparatus to other means of
(re)production of
to adhere to the potential of document and instrument
in the investigation of man and his
at the same time that it reveals itself as an excellent
means of
and
Approaching
the conceptual field of
and
and
we intend to extract the fundamental concepts
for the present research,
while from the works
or
we look to obtain the intuition of the
regarding the articulation of these
with the photographic process and
We also sought to understand
the characteristics of photography such as
or
And, through them,
what insists on it
and what precipitates in it not only
a constantly renewed experience of the
above all, a new
By means of reconceptualizing notions such as
image,
perception,
memory,
or time,
and looking into bodies of work
whose expressive medium and
object refer to photography itself,
we sought what in photography seems to reveal
and
— or the whole time — in an instant as an image.
Seeking to develop an open
of
we also experimented with the plasticity of concepts,
making them intersect different practices of
form of sensitive expression.
Underlining the idea of (e)vidence
as the
we aimed to create a photographic piece that,
by itself,
would affirm its inherent process
and the
tried to show, with and through photography,
a perception, a memory, and a time
